Jesse Singal
The Atlantic
Originally published April 7, 2019
Here is an excerpt:
Once you know a term like decoupling, you can identify instances in which a disagreement isn’t really about X anymore, but about Y and Z. When some readers first raised doubts about a now-discredited Rolling Stone story describing a horrific gang rape at the University of Virginia, they noted inconsistencies in the narrative. Others insisted that such commentary fit into destructive tropes about women fabricating rape claims, and therefore should be rejected on its face. The two sides weren’t really talking; one was debating whether the story was a hoax, while the other was responding to the broader issue of whether rape allegations are taken seriously. Likewise, when scientists bring forth solid evidence that sexual orientation is innate, or close to it, conservatives have lashed out against findings that would “normalize” homosexuality. But the dispute over which sexual acts, if any, society should discourage is totally separate from the question of whether sexual orientation is, in fact, inborn. Because of a failure to decouple, people respond indignantly to factual claims when they’re actually upset about how those claims might be interpreted.
Nerst believes that the world can be divided roughly into “high decouplers,” for whom decoupling comes easy, and “low decouplers,” for whom it does not. This is the sort of area where erisology could produce empirical insights: What characterizes people’s ability to decouple? Nerst believes that hard-science types are better at it, on average, while artistic types are worse. After all, part of being an artist is seeing connections where other people don’t—so maybe it’s harder for them to not see connections in some cases. Nerst might be wrong. Either way, it’s the sort of claim that could be fairly easily tested if the discipline caught on.
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