By Jonathan Jones
The Guardian
Originally published December 29, 2015
Here is an excerpt:
Art is always at its most dangerous and liberating when it frees us from conventional morality and piety. That is why bohemian manners and the avant garde go together. It was not just artistic licence that upset people when Manet painted Olympia. It was not mere artistic fashion that drew Picasso to the garrets and brothels of Paris. Modern art was a rebellion against bourgeois normality. All the great artists who created modernism took huge risks in the way they lived. Their art is an incitement to do the same.
The article is here.
