Megan Garber
The Atlantic
Originally published June 20, 2018
Here is an excerpt:
It is a dynamic—the democratic alchemy that converts seeing things into changing them—that the president and his surrogates have been objecting to, as they have defended their policy. They have been, this week (with notable absences), busily appearing on cable-news shows and giving disembodied quotes to news outlets, insisting that things aren’t as bad as they seem: that the images and the audio and the evidence are wrong not merely ontologically, but also emotionally. Don’t be duped, they are telling Americans. Your horror is incorrect. The tragedy is false. Your outrage about it, therefore, is false. Because, actually, the truth is so much more complicated than your easy emotions will allow you to believe. Actually, as Fox News host Laura Ingraham insists, the holding pens that seem to house horrors are “essentially summer camps.” And actually, as Fox & Friends’ Steve Doocy instructs, the pens are not cages so much as “walls” that have merely been “built … out of chain-link fences.” And actually, Kirstjen Nielsen wants you to remember, “We provide food, medical, education, all needs that the child requests.” And actually, too—do not be fooled by your own empathy, Tom Cotton warns—think of the child-smuggling. And of MS-13. And of sexual assault. And of soccer fields. There are so many reasons to look away, so many other situations more deserving of your outrage and your horror.
It is a neat rhetorical trick: the logic of not in my backyard, invoked not merely despite the fact that it is happening in our backyard, but because of it. With seed and sod that we ourselves have planted.
Yes, yes, there are tiny hands, reaching out for people who are not there … but those are not the point, these arguments insist and assure. To focus on those images—instead of seeing the system, a term that Nielsen and even Trump, a man not typically inclined to think in networked terms, have been invoking this week—is to miss the larger point.
The article is here.
